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LINDA PERHACS - Parallelograms. Deluxe CD wallet version + 8 BONUS TRACKS

LINDA PERHACS

Parallelograms

DELUXE CD WALLET

SBMCW5503

Sunbeam Masters is a new series of deluxe CDs celebrating some of the most enduring underground albums of the 1960s and 1970s. Manufactured to the highest standards, each is presented in a hardboard LP replica gatefold sleeve, complete with full-colour booklet (including rare pictures and detailed background information) and archive bonus material.

• Hardboard gatefold replica sleeve

• Undisputed acid folk masterpiece

• Produced with Linda Perhacs’s full involvement

• Fullest-ever reissue

• Detailed liner notes

• Rare pictures

• Eight bonus tracks

1. Chimacum Rain (1970)

2. Paper Mountain Man (1970)

3. Dolphin (1967)

4. Call Of The River (1969)

5. Sandy Toes (1967)

6. Parallelograms (1970)

7. Hey, Who Really Cares?

8. Moons and Cattails (1970)

9. Morning Colors (1969)

10. Porcelain Baked-Over Cast-Iron Wedding (1969)

11. Delicious (1969)

Bonus tracks

12. If You Were My Man [demo]

13. If You Were My Man [alternate take]

14. Hey, Who Really Cares? [with intro]

15. Chimacum Rain [demo]

16. Spoken Intro to Leonard Rosenman

17. Chimacum Rain [demo]

18. I’d Rather Love Someone I Can’t Have (Than Have Someone I Can’t Love)

19. BBC interview

Combining fragile and beautifully melodic acid folk with perfectly-rendered electronic effects, this remarkable album consists of what its creator describes as ‘visual music’. First released in 1970, it has gone on to become one of the most legendary and well-loved recordings of its time. It’s presented here with the full collaboration of its enigmatic creator, and features her own detailed liner notes, as well as rare illustrations and eight bonus tracks (including one previously-unheard out-take), making it the most definitive edition of this timeless classic ever released.

“The unquestioned queen of the hill of female psychedelic albums… a pure and honest listening experience, a masterpiece” - The Acid Archives

“An album whose depth and beauty is, nearly four decades on, still utterly staggering” - Mojo

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